Inspired by Mrs Dalloway and Judy Blume’s Forever, Release is one day in the life of Adam Thorn, 17. It’s a big day. Things go wrong. It’s intense, and all the while, weirdness approaches…
Adam Thorn is having what will turn out to be the most unsettling, difficult day of his life, with relationships fracturing, a harrowing incident at work, and a showdown between this gay teen and his preacher father that changes everything. It’s a day of confrontation, running, sex, love, heartbreak, and maybe, just maybe, hope. He won’t come out of it unchanged. And all the while, lurking at the edges of the story, something extraordinary and unsettling is on a collision course.
“When I realized how things were, when I said to myself that I am not this thing that I’ve been told I have to be, that I am this other thing instead…the label didn’t feel like a prison, it felt like a whole new freaking map, and now I can take any journey I want to take and it’s possible I might even find a home there. It’s not a reduction. It’s a key.”
Okay, so, people have mixed feelings about this book. It reminds me of The Rest of Us Just Live Here in the sense that it’s somehow both contemporary, and fantasy.
The contemporary every-day aspect of Release is the biggest part of the book, but it’s interrupted by short chapters of a truly bizarre tale about a dead drug addict looking for her killer and… a faun? I don’t know, it’s weird, and I admit I didn’t pay enough attention to it in the beginning so it went over my head a little. I’m sure if I read it more carefully I’d get it, but alas. There’s some Deep and Metaphorical Meaning here, but honestly, I just care about Adam’s storyline.